Write Over the Hump

In keeping with last week’s prompt, we’re still on the theme of love. Let your imagination have free rein on this one, and see if you can integrate some of the emotions you wrote about last week into this week’s story. (Remember, you can always change the gender of any prompt.)

He was my first love…

Write Over the Hump

Another “first” to write about today, one that will bring out a lot of tender emotion, as well as some nervousness or uncertainty or even fear, perhaps. All emotions we need to imbue in our characters, so it’s necessary to remember what it felt like “way back when.”

Write about your first kiss.

Write Over the Hump

Secrets are intrinsic to our stories: secrets kept, secrets shared, secrets revealed. The impact of a secret, either held close or made public, can be devastating for our characters, and make for an enticing plot. Have fun exploring the secret knowledge being kept here.

They said he was a genius, but I knew the truth.

Paul Alan Fahey on Writing and Life

Today, we have a special treat, Paul Alan Fahey, a great friend and one of the best writers I’ve ever read. Paul has supported and encouraged me in so many ways, I doubt I’d be where I am today without him… and besides, his husband, Bob, is just the greatest person alive. To say nothing of the canine “kids”! Take it away, Paul…

Susan, thank you for asking me here today. I hope folks will comment and ask questions. I feel we’ve only touched the tip of the proverbial iceberg.

What is the one story you would like to write but just can’t?

When I first thought about this question my mind traveled back to the turbulent early days of the AIDS crisis. I knew someday I’d write about our dear friend, George, and our other friends who succumbed to the virus. But every time I tried to get into the story, my emotions, being so powerful, held me back. I did get as far as a hospital scene some years ago but couldn’t go any further. I talked recently about this issue in more detail on Anne R. Allen’s Writer’s Blog: http://annerallen.com/writing-memoir-think-outside-the-book/

About five years ago I started publishing e-book novellas for a small LGBT publisher, JMS Books. And it was then I began to dip my toes, so to speak, into the past and as a result a few of my earlier books and stories dealt with AIDS themes. When the Right One Comes Along and Words are two examples.

In 2012, JMS Books published my nonfiction anthology of personal essays, titled The Other Man. For this book, twenty-one gay writers—including myself—contributed essays on either being the other man, suffering him or having dealt with infidelity in the relationship. Many of the essays in the book touched on AIDS. Oddly enough, mine did not. I wasn’t ready to go there.


In 2016, I edited another nonfiction anthology published by Vine Leaves Press on the topic of equality. Equality: What Do You Think About When You Think of Equality? was released on January 15, 2017—Martin Luther King’s actual birthdate. Finally, the time was right and I wrote my essay about George and the discrimination we all faced during those times. So in a way, I wrote the story I couldn’t write. It just took me years to do it.

How many hours a day do you write?

I don’t write every day. Depending on where I am in the writing process, I might spend a couple of hours on the computer doing research for a story, or working on the prewriting strategy I use for plotting my books. I wrote a post on this process for Anne R. Allen’s writing blog. Here’s the link if you’d like to take a closer look: http://annerallen.com/why-novellas-are-hot-and-how-to-write/

My biggest problem with any story is the beginning, or what I call “finding my way in.” This can take hours or even days of trial and error. Sometimes I get so frustrated I think I’ll never write anything again. Or I just drop the story and start on something new. Usually I can resurrect a stalled story. I’ve actually published several of those pieces I began and filed away for later. There’s always a submission call for something that fits. A story can change shape over time. My story about George became a personal essay. Other short pieces became poems or vignettes. You see what I mean?

What are you working on now?

To be honest these interview questions.

   I’m also working on promotion for Equality. We just released a video. You can view it here on UTUBE: https://www.youtube.com/watch?v=ptDjcuL_8hM

Mara Purl, the wonderful writer of the Milford-Haven novels and stories and also a contributor to Equality, and her team, and I are working on a reading/signing event at our local Barnes and Noble in San Luis. Hopefully in May.

I’m also querying higher education teachers, mainly in the social sciences, about the possibility of using Equality as a supplementary text for their classes.

Which comes first, the characters or the setting?

The story idea. The characters and setting may be part of the story idea but not always. Usually it’s the germ of a story unless I’m writing a series like the WWII Lovers and Liars, then it’s always me asking questions of my characters. What would Caroline do in such and such a situation, etc.?

Do your characters ever take over the story and move it in a new direction?

Absolutely. As you may have guessed, I’m a planner and don’t feel comfortable without having the safety net of an outline—no matter how sketchy—at my side while I write the book. Still, the characters will say things like, “Oh, I don’t want to do that. Let me…” These kinds of detours often take the book in a different direction and usually for the better.

Here’s an example: In A Manx Tale, the third book in Lovers and Liars, I originally saw Cyril and his wife, Caroline, taking a nice walk along the cliffs, but they both resisted something painful. I’d planned on them having a lively conversation, but Caroline scotched the idea. She wanted a solitary walk with the two shelties after she’d sent Cyril off to visit a popular tourist site. In the end, I was glad she took that cliffside walk as it provided a bit of menace to the story and actually turned into a much more exciting plot point to end Act II than I’d originally sketched out. Listen to your characters is really good writing advice. Not sure who told me that but it works all the time.

How do you decide where the story starts?

Well, this kind of goes with the “finding your way in” part of my writing process. Sometimes I start writing and realize what I have isn’t necessary to the story. It might be background that deepens the characterizations but isn’t really needed as a scene or even a whole chapter. Or it might be the wrong POV. Asking yourself: Whose story is it really helps clarify a lot. Sometimes the story as written in the draft starts out too slow. Nothing is happening and doesn’t happen till page ten or so. Not good. The computer lets you move scenes and chapters around so easily that I often keep on going and worry about where the story starts after I’ve written the first draft. Then I can move, delete, or add to my heart’s content. Rule number one for me: Always get through the first draft.

They say you should write what you know. What do you know that you’ve included in your stories?

That works up to a point, but since I know so little about a lot of things, I’d never write another word if I stuck to that maxim. Half the fun is making up stuff. In Lovers and Liars, I use setting and events for atmosphere and I try to be as true to the times as I can. It’s not my intention to present everything with 100% accuracy. A few readers have commented that I take took many liberties with actual events. Maybe. But I’m writing historical fiction here. Not nonfiction. People may disagree, but I like to have fun with the characters and if they do seemingly improbable things, so be it. My yardstick in writing Lovers is this: Can I see Caroline—the bravest of my characters and to me the most interesting—doing this or saying that? If I can, I use it. If not, I toss it.

    Part B: What Do I Know that I’ve Included. Well, I’ve been a teacher most of my life and mainly in higher ed. So writing about characters in academe is great fun and comes easily. My novella, What I Want For Christmas centers on a professor in a small liberal arts college in New England who is terrified to fly but discovers he has to face this fear if he wants to save his ex-partner from making a terrible mistake. (Note I put this in bold because this is the logline/throughline I followed when I wrote the story.

What childhood event shaped (or scarred) you the most?

Where to start on this one? I would guess growing up an only child and being raised by a single mother in the 1950s was scary enough. Knowing I was gay from an early age and wondering what the hell to do about it added quite a bit more to the mix. Not that my childhood was any different from similar children during those times, but it left its mark. Also being dropped off in foster home situations when Mom couldn’t keep us financially afloat was pretty scary. I’ve never forgotten that feeling of being alone. Hope I didn’t make it sound more Dickensian that it actually was.

What kinds of things in your writing have your dropped (or changed) as you have learned and grown?

I started writing fiction in the early 1990s and focused mainly on flash fiction. I also went the “write what you know” route and did a lot of flash memoir. I don’t do much of either anymore. When I wrote flash, I couldn’t imagine how any one tackled writing short stories beyond 1000 words. But as I continued to write and publish in small lit journals and in online magazines, I began to stretch the length of my work from 750 words to 2K and 4K words. With the advent of the E-Age, I stretched even more and now have several published e-book novellas that top 25-40K words.

     In early 2016, I actually published a short writing book on this subject. I owe you, Susan, a debt of gratitude. I couldn’t come up with that title to save my soul. But you certainly hit the nail. The book is titled, The Short and Long of It: Adapt, Expand, & Publish Your Short Fiction.

What have you written that really surprised you?

Almost anything I write that gets published surprises me. I’m my own worst enemy, as my grandma used to say of my mom. I never like what I write, am never satisfied, and always want to change it. Usually right after I hit the send or submit button.

I think what surprised me most was putting together The Short and Long of It so quickly. I queried my publisher, got the go ahead to write the book, and wrote it in one month. That’s the fastest I’ve ever written anything. True, many of the pieces included in the book were already “finished.” But the actual text of weaving together the ideas and themes of the book wasn’t difficult at all. But thinking about it now, I was talking about my writing process and that’s actually something I can easily do.

Thank you again, Susan, for having me here. Hope everyone thinks it was worth it. And hope we get lots of comments.

And thank you, Paul, for your insightful answers. You’ve certainly given me a lot to think about. It was fun being able to title your wonderful little book, The Short and Long of It. Funny how I can think up titles for other people and have the worst time finding titles for my own work! Life sure is strange, sometimes.

Now it’s up to the rest of you. Paul wants your comments and questions. Have at it!

Paul Alan Fahey, is the editor of Equality: What Do You Think About When You Think of Equality? He is also the author of the writing reference and 2016 Rainbow Award winning The Short and Long of It: Expand, Adapt, and Publish Your Short Fiction, as well as the Lovers and Liars gay wartime romance series. He is the editor of the 2013 Rainbow Award-winning anthology, The Other Man: 21 Writers Speak Candidly About Sex, Love, Infidelity, & Moving On. For eight years Paul was editor-in-chief of Mindprints, A Literary Journal, an award- winning forum for writers and artists with disabilities. Paul lives on the California Central Coast with his husband, Robert Franks, and a gaggle of shelties.

Website: http://paulalanfahey.com

Goodreads blog: https://www.goodreads.com/author/show/6452410.Paul.Alan.Fahey/blog

JMS Author Page: http://www.jms-books.com/index.php?main_page=index&manufacturers_id=61

Facebook: https://www.facebook.com/paul.fahey.52

Twitter: https://twitter.com/paulfahey12

Write Over the Hump

There are days when nothing seems to come to mind. When there’s so little to work with. But being a writer means being able to cope with those days of dearth, and turn them into productive writing sessions. Here are two little words that don’t give much away, that will make you work for you words. Set your timer for 10 minutes and see what happens.

Apply today.

Write Over the Hump

When we write stories, we need to stretch our imagination. Here’s a prompt to help you do just that. Take it literally, or use it as symbolism, or just let it take you away into a realm of fantasy and fun.

Feathers, white feathers under my feet…

Inspiration — or Making the Moment Happen?

DJ Adamson is my guest today. She’s the author of the Lilian Dove Mystery series and Outré, a sci-fi/suspense novel for YA. She has some words of wisdom on inspiration and what it means for us as writers. DJ?

Shirley Jackson is said to have been walking her baby in its carriage through the neighborhood when the story “The Lottery” came to her. She said it came to her all at once.

A moment of grace.

So far, that moment hasn’t happened for me.

So as authors, do we wait to get inspiration before going to our computers?

I am most inspired when I am driving my car. It’s when I quiet enough to hear a couple of lines of dialog. Or at three in the morning when in my half-sleep I see the twist needed for a plot. I do attempt to write the dialog down while driving—don’t tell the LAPD—and I have a writing pad at my bedside; but, personally, I can’t afford to wait for inspirations. I’d get nothing done.

My process?

* I write every day. I get a few hours or at least 500 words down before heading to my day job. I find another couple of hours during the day…waiting for classes to begin, lunch, before bed. Just like brushing my teeth twice a day became a routine, so has my writing practice. Ideas wake me up in the morning. Characters remind me I need to get out of bed and quit complaining I never have enough time.

What else am I going to do while having my coffee? Watch the latest news? Not a good practice for optimism. Read the newspaper? Again, trying to keep positive.

* Once my characters begin speaking, I can’t always get them to shut up. I have a notebook in my purse. I use the “Record” on my cell phone.. So I don’t forget to refer to these notations, I have on my calendar a weekly reminder, “Review Journal Notes.”

* I write the first six chapters then write the synopsis. By six chapters of freewriting, I know my beginning, middle, and end. Writing the synopsis gives me a full photo shot.

* I create a notebook. This is my go-to for everything. I have a photo of each of the main characters as well as their character analysis. A map of the setting. A section where I place research notes. Another place for questions that come up while writing– a type of journal entry. From there, I pull up Scrivener.

* I have many friends who use the Scrivener.com program for their full manuscript. So far, I haven’t been able to utilize it in this way. Yes, everything I do in my physical notebook is possible with the program, but I like different perspectives. Sometimes I don’t see on digital what I see on paper, and vice versa. Or maybe, I haven’t taken the time to learn Scriveners’ full possibilities. I do, however, love the Corkboard option. It’s become my method of outlining. By using the corkboard, keeping it open while I am writing in Word, I keep track of Chapters, Themes, Symbols, etc. I review all at a glance.

* I edit as I write. Each day, I go back and read the last three chapters before moving on to the next. It was Hemingway’s process, and it works well for me. Again, so I don’t just read and edit those three chapters, I have a required 500 words to write before leaving for work.

And, I still need my day job. I read and edit quickly. Move on…

* I can read and edit fast because I am well aware errors will be passed up, and I will catch them when I read the novel as a whole. I try to take a full day without interruption to do the full novel read…sometimes two, depending on the word count. I just read. I have a writing pad next to me for notions on content editing, and I flag the paper with a red X if I find typos I need to go back and correct.

* Then, I leave the manuscript for two weeks, if not a month. I make the changes. Print it out. Read it aloud. Lately, I have saved it as a pdf and read it on my Kindle. Again, that different perspective allows me to pull away my mind’s remembered-mental image and catch errors. I know some authors who use audible techniques to play back their manuscripts.

* The manuscript is sent to my editor.

The process I use to write is probably very little different than another author’s. We come about the words in different ways, but eventually, we are the same in needing to get those words down on paper. The point of any process…getting it done.

Thank you, DJ Adamson, for these words of wisdom. It’s given me lots to think about, and I know others will find just as much value in this post. Okay, scriveners, any comments or questions for DJ?

D. J. Adamson is the author of the Lillian Dove Mystery series and Outré, a science fiction-suspense YA. She is the editor of Le Coeur de l’Artiste, a newsletter which reviews authors and their work. She also teaches writing and literature at Los Angeles colleges. And to keep busy when she is not writing or teaching, she is the Membership Director of the Los Angeles Sisters in Crime, Vice President of Central Coast Sisters in Crime and an active member of the Southern California Mystery Writers. Her books can be found and purchased in bookstores and on Amazon.

To find her, her blog L’Artiste, or newsletter go to http://www.djadamson.com. Make friends with her on Facebook or Goodreads.

Adamson “weaves this suspenseful tale that grabs the reader like the tornado at its core. It starts out slow, like a train leaving the station, then accelerates to a feverish pace, leaving you in a sweat.”

Write Over the hump

Here’s a fun prompt to start your day, sure to get your imagination fired. We all know people like this… now it’s time to write one into a story, use that contrariness to good effect…

When trouble brews, you can be sure Jade is somewhere in the middle of it.

Victoria Heckman Speaks on Writing

Today, author Victoria Heckman answers 10 probing questions into how she writes, why she writes, and her writing journey. She has some surprising answers and a lot of good advice for all writers everywhere. Enjoy!

What is the first thing you had published, and when?

I answered a contest call by Sisters in Crime-Central Coast Chapter.  The prize was publication and then I was hooked! That call saying I’d be published was amazing.

Of all your books, which is your favorite?

It’s usually my newest, but I am proud of the different elements in all the series. I love changing and adding and making the research and work really weave into a story to make the next in the series unique.

Do any of your buried attributes (things you don’t let others see or know about) come out in your characters?

I have had many experiences that I haven’t shared and I am sure those come up.  The two years I worked in law enforcement were the foundation for the police procedural along with my friends at the Honolulu Police Department.  I think more things come out that I wish were attributes!  K.O. is taller than I am and more self-assured, for example.

Why do you write the genre(s) you write?

I didn’t really choose to write what comes out, I just do.  I love paranormal and wrote a short story that I think I’d like to make into a novel form at some point.  I really wanted to write about ancient Hawai’i so did tons of research, but didn’t have a book until I met “Coconut Man,” my main character.  I am researching a new book set in 1860’s in the mid-west, but I don’t have a story.  I am looking at maps and finding people, but nothing has happened yet!

Have you ever started a story and realized it was a genre or age group you’d never written before?

I wrote a ghost story that I still just love, and Malama was a real person in my head who needed her story told. I didn’t know she was a ghost until well into the piece. That was a little creepy and I’ve never tried to find out if she was a real person–she’s real enough to me.

Think of a character who has a unique feature or ability. How did you come up with that unique feature for your character?

Elizabeth Murphy is an animal communicator.  I have always talked to my animals, and really all animals I come across, to a degree.  I saw a class offered in “Animal Communication” and took it thinking it would be a funny story for parties.  Turns out it’s a thing and I learned to do it, so I had to write about it.  That is one of my favorite things, writing what the animals think and say.

What’s your favorite writing snack?

I don’t have one. I write very fast and compact for limited bursts. I just write until the scene or chapter is done.  Sometimes that takes a long time but I don’t stop to eat.  I also don’t write for twelve hours straight. I had to learn to write fast as a mother of young children who might not let me have the luxury of time.  Although the ‘children’ are lovely grown men now, that method has served me well and continues to be the most effective.

What was the hardest critique you ever received?

My editor wouldn’t let me kill off a character. I had a fantastic funeral written, not a dry eye in the house. I fought her for several months.  She won.  It was a bloody 100 page re-write, but I trusted her and she was right. I saved that funeral scene though. Somebody’s gonna need it.

Do your characters ever take over the story and take it in new directions?

Always.  I used to be surprised, or try to get them back on track.  WASTE OF TIME.  I have learned to trust them.  They are living their lives somewhere and I’m just a nosy observer.  I have a path I think we’re on, and I know my subconscious will keep them true to the story, so if I am forcing an issue, it just won’t work.  Most often, a new person, someone I never intended, wanders in (or storms in, more like) and takes it in a new direction. I love the ‘new’ people. Or animals, or goddesses, or whatever as the case may be.

What is the most surprising thing that happened while you were writing a story?

I am always worried at some point that I can’t do it.  Finish, or create, or continue.  But if I believe it is already finished out there in the world somewhere, and I can tap into it, trust that it will come to me, then it does.  I still have that feeling every single book, but magically, for better or worse, there’s at least a rough first draft at some point to work from.  I got that piece of wisdom from Sue Grafton years ago and I’ve never forgotten it. It has seen me through some dark times.  I got the chance to thank her for that a couple of years ago at a Bouchercon. I try to pass it on, as well as the other many kindnesses veteran writers have shared.  Sometimes that ‘miracle’ takes ten years, but hey, never give up.

Thanks, Victoria, for all your answers and insights. I’m so happy you stopped by today. But I can’t believe you don’t have a writing snack! I don’t think I could write a word without a piece of chocolate melting in my mouth…

Victoria’s new book (the second) in her Coconut Man series, Kahuna:Priest, is now out. It’s a fascinating look at ancient Hawaii, and a masterful mystery. Victoria manages to flawlessly weave in the details of ancient Hawaii while crafting a wonderful mystery. When you finish it, you’ll think you’ve gone back in time and lived in that mystical land. Don’t miss it!


Here’s a quick peek at Victoria herself – and the various series she writes:

Victoria Heckman writes several mystery series:  K.O.’d in Hawaii — a police procedural;  Coconut Man Mysteries of Ancient Hawaii — a historical series; Elizabeth Murphy — Animal Communicator set on California’s Central Coast; and Pearl Harbor Blues, a stand-alone mystery. She has many short stories in several anthologies as well as editing and compiling several more. She is working on a historical short project as well as her next Elizabeth Murphy mystery. She is a member of Sisters in Crime-Central Coast Chapter.

Visit her website www.victoriaheckman.com

or find her on Facebook, Twitter & Instagram.

Kahuna: Priest on Kindle: https://www.amazon.com/Kahuna-Priest-Coconut-Mysteries-Ancient-ebook/dp/B01MTE8TNH/ref=sr_1_1?s=books&ie=UTF8&qid=1487573491&sr=1-1&keywords=kahuna+priest

Kahuna: Priest Print Book: https://www.amazon.com/Kahuna-Priest-Coconut-Mysteries-Ancient-Hawaii/dp/0997088028/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1487573491&sr=1-1

Write Over the Hump

This is an appropriate prompt for today. It’s the anniversary of my parents’ marriage. They were hitched in 1943; were they still alive, they’d have been together for 74 years! Hard to imagine. Now it’s time to delve back into your life, to look back into the past and mine the emotions that were so new and glorious… or disastrous. It’s all fodder for stories.

Write about your very first date.